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Michael HanekePerson
In this Brechtian-influenced analysis of Michael Haneke's most controversial film, Tarja Laine looks at how the director "manages to depict violence not as entertainment or even as an innate part of life, but as inconsolable.
The source of viewer activity in Michael Haneke's films has previously been attributed to two key fa...
The thesis titled The Foreignness of the Self. Michael Haneke’s Play with Reality explores the first...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
This thesis offers analyses of two of Michael Haneke's most provocative films, *Funny Games US,* and...
The two films that Austrian director Michael Haneke has produced under the same title, “Funny Games”...
Starting from the premises of the reader-response criticism, advocate of the active role of the reci...
The two central themes in the films of Michael Haneke, the fragmentation and brutality of interperso...
textThis thesis is an analysis of director Michael Haneke’s theatrically-released films. Using a neo...
Austrian director Michael Haneke is recognized for films that explore the most pressing social quest...
Haneke’s film ‘Funny Games’ is a reflection on the nature of pain and representation. I argue that t...
Michael Haneke has achieved international recognition and notoriety with films that stylistically an...
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Can...
Our study suggests that during the last two decades, 1989-2009, with Michael Haneke's movies realize...
Main objective of this thesis is analysis of film language of several scenes which containe violence...
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis ...
The source of viewer activity in Michael Haneke's films has previously been attributed to two key fa...
The thesis titled The Foreignness of the Self. Michael Haneke’s Play with Reality explores the first...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
This thesis offers analyses of two of Michael Haneke's most provocative films, *Funny Games US,* and...
The two films that Austrian director Michael Haneke has produced under the same title, “Funny Games”...
Starting from the premises of the reader-response criticism, advocate of the active role of the reci...
The two central themes in the films of Michael Haneke, the fragmentation and brutality of interperso...
textThis thesis is an analysis of director Michael Haneke’s theatrically-released films. Using a neo...
Austrian director Michael Haneke is recognized for films that explore the most pressing social quest...
Haneke’s film ‘Funny Games’ is a reflection on the nature of pain and representation. I argue that t...
Michael Haneke has achieved international recognition and notoriety with films that stylistically an...
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Can...
Our study suggests that during the last two decades, 1989-2009, with Michael Haneke's movies realize...
Main objective of this thesis is analysis of film language of several scenes which containe violence...
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis ...
The source of viewer activity in Michael Haneke's films has previously been attributed to two key fa...
The thesis titled The Foreignness of the Self. Michael Haneke’s Play with Reality explores the first...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
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